In 1925, circus impresario John Ringling (1866–1936) decided to build an art museum, both as a legacy meant to outlast his business interests and as a memorial to his wife Mable and himself. By sharing the arts of Europe with the people of Florida, Ringling sought to educate and encourage curiosity for the wider world.

In 1925, circus impresario John Ringling (1866–1936) decided to build an art museum, both as a legacy meant to outlast his business interests and as a memorial to his wife Mable and himself. By sharing the arts of Europe with the people of Florida, Ringling sought to educate and encourage curiosity for the wider world.

In 1925, circus impresario John Ringling (1866–1936) decided to build an art museum, both as a legacy meant to outlast his business interests and as a memorial to his wife Mable and himself. By sharing the arts of Europe with the people of Florida, Ringling sought to educate and encourage curiosity for the wider world.

In 1925, circus impresario John Ringling (1866–1936) decided to build an art museum, both as a legacy meant to outlast his business interests and as a memorial to his wife Mable and himself. By sharing the arts of Europe with the people of Florida, Ringling sought to educate and encourage curiosity for the wider world.

In 1925, circus impresario John Ringling (1866–1936) decided to build an art museum, both as a legacy meant to outlast his business interests and as a memorial to his wife Mable and himself. By sharing the arts of Europe with the people of Florida, Ringling sought to educate and encourage curiosity for the wider world.

In 1925, circus impresario John Ringling (1866–1936) decided to build an art museum, both as a legacy meant to outlast his business interests and as a memorial to his wife Mable and himself. By sharing the arts of Europe with the people of Florida, Ringling sought to educate and encourage curiosity for the wider world.

In 1925, circus impresario John Ringling (1866–1936) decided to build an art museum, both as a legacy meant to outlast his business interests and as a memorial to his wife Mable and himself. By sharing the arts of Europe with the people of Florida, Ringling sought to educate and encourage curiosity for the wider world.

In 1925, circus impresario John Ringling (1866–1936) decided to build an art museum, both as a legacy meant to outlast his business interests and as a memorial to his wife Mable and himself. By sharing the arts of Europe with the people of Florida, Ringling sought to educate and encourage curiosity for the wider world.

In 1925, circus impresario John Ringling (1866–1936) decided to build an art museum, both as a legacy meant to outlast his business interests and as a memorial to his wife Mable and himself. By sharing the arts of Europe with the people of Florida, Ringling sought to educate and encourage curiosity for the wider world.

In 1925, circus impresario John Ringling (1866–1936) decided to build an art museum, both as a legacy meant to outlast his business interests and as a memorial to his wife Mable and himself. By sharing the arts of Europe with the people of Florida, Ringling sought to educate and encourage curiosity for the wider world.